There aren’t any gods or mythical creatures in Uberto Pasolini’s The Return. Perhaps, if there were, the former would be…
They say that life imitates art. And that is certainly the premise for writer / director Jin-hwang Kim’s second feature…
Music has a way of tying us to a time or place. An unforgettable gig, shared with a friend. A…
Long Day’s Journey Into Night, Eugene O’Neill’s Pulitzer-prize winning four act play, was first published posthumously in 1956. It has…
Damon Hill became a Formula 1 driver at a time where a luxurious moustache or bushy brows seemed to be…
Lorcan Finnegan’s The Surfer opens with golden sands, crystal clear waters and a tinkly, dreamy percussive score. The heavy colour…
It feels unusual for an opening gala of a film festival to be a subdued affair. But writer / director…
Glasgow Film Festival 2025 (GFF25) has announced the full programme for its 21st edition. Across 12 packed days, Scotland’s largest…
Caution: Like revenge, Seven is best served cold. There will be spoilers in this review so if you haven’t seen…
