Dev Patel’s impressive directorial debut, Monkey Man, is a film full of hyperbolic contrasts. A seven foot fighter, built like a barrel, towers over his scrawny opponent in the ring. Glass and steel ...
This review contains mild spoilers Demonic possession is a staple of the horror genre. Perhaps rightly or wrongly, any film attempting to scare the bejesus out of you (pardon the pun) will always be ...
Perhaps only some of our readers can remember family “staycations” back in the early 1990s. There were no mobile phones, no internet and no real notion of time. You tried to make friends with whoever...
Milad Alami’s second feature length film opens with a stark white screen – enough to make you think you’ve already gone snow blind in the Swedish-Finnish border town in which it is set. There’s a thu...
There has been a plethora of feature-length debuts celebrated at this year’s Glasgow Film Festival, with writer / director Zarrar Khan joining in festivities. His film, In Flames, breezes effortlessl...
“Are the jokes supposed to be the truth, or are the jokes just jokes?” Cara Mone and Caroline Suh’s documentary, Sorry/Not Sorry opens with a clip of Louis C.K. performing a stand-up routine. In it, ...
There is nothing subtle about Joseph Schuman and Austin Stark’s Coup! The opening voiceover, complete with commentary about total lockdown, an errant president and the poor dying in their thousands w...
Grief and ghosts often make for good company. It is when we are at our lowest ebb that we often look for answers or signs that we would not normally seek out. And, of course, a presence or a voice of...
When you think of footballing cities, you think of Barcelona. Madrid. Manchester. Munich. Hell, maybe even Glasgow. But Hellissandur? Perhaps the small village at the foot of a glacier on an island f...
Legal dramas are a cinema staple. As audiences, we love rousing closing speeches, heated debates, surprise witnesses and a verdict that seems to go right down to the wire. Courtrooms lend themselves ...