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There aren’t any gods or mythical creatures in Uberto Pasolini’s The Return. Perhaps, if there were, the former would be…
Music has a way of tying us to a time or place. An unforgettable gig, shared with a friend. A…
There are certain things that Hollywood simply does not include in its renderings of a post-apocalyptic world. There’s no bright…
Most television viewers in the UK have heard of the Charles Ingram scandal. It is alleged that he and his…
Long Day’s Journey Into Night, Eugene O’Neill’s Pulitzer-prize winning four act play, was first published posthumously in 1956. It has…
Lorcan Finnegan’s The Surfer opens with golden sands, crystal clear waters and a tinkly, dreamy percussive score. The heavy colour…
It feels unusual for an opening gala of a film festival to be a subdued affair. But writer / director…
“It’s fascinating, complex, at times tragic but, ultimately, beautiful,” tour guide James (Will Sharpe) says of Poland’s history with its…
Leigh Whannell has set standards (and expectations) pretty high for his latest take on a classic creature feature. 2020’s The…
It is over one hundred years since Max Shreck graced the screen in F.W. Murnau’s Nosferatu, creating a character so…
