Glasgow Film Festival

L’immensità – Review

Writer-director Emanuele Crialese hasn’t made a feature-film since 2011’s Terrafirma. In fact, he only has four films to his name.…

Depictions of mental health on screen can so often feel like nothing more than mere tropes; a plot device to…

There has been many a cinematic protagonist whose past filters into their present. Sometimes, it’s an unexpected visit from a…

“What’s your favourite movie?” It’s a question that most self-professed cinema lovers will have been asked at some point in…

Portrayals of motherhood tend to fall into two camps, cinematically speaking. There’s the frazzled mum with sick down her shirt…

Writer-director Léonor Serraille’s second feature-length film, Mother and Son (Un Petit Frère) is an immigrant story wrapped up in a…

“No approval need from your doctor or family,” a Plan 75 representative smiles at his elderly customer. In fact, the…

There have been many attempts, on film, at unpicking the industry itself. Whether it’s a classic like Singin’ in the…

Mark Twain is noted as observing that “a lie travels halfway the world before the truth can get its boots…

Don’t let the lush colour pops of mauve, sunshine yellow and teal fool you. Marianne Blicher’s feature-length debut, Miss Viborg,…