Hellraiser: Judgement – Review
With constant rumours of big budget remakes and reboots of Hellraiser, it was somewhat of a surprise when Hellraiser: Judgement…
Category: 2018
Blindspotting – Review
Rap music has long been a platform for aggrieved minorities to express their oppression through a heightened use of language.…
Red Joan – Review
The idea of a “granny spy” seems utterly ridiculous. But, of course, Red Joan, is not focusing on the elderly…
Wild Rose – Review
The opening sequence in 2005’s Walk the Line had your toes tapping in the cinema aisles as the unmistakable twang…
Possum – Review
A quote attributed to Einstein claims that the very definition of insanity is “repeating the same process over and over…
2018 Drama Glasgow Film Festival Jude Law Musical Natalie Portman Raffey Cassidy Review Stacy Martin
Vox Lux – Review
When I covered Agnieszka Smoczyńska’s Fugue and discussed it’s shocking and unsettling opening scenes, I thought that nothing would top that in…
Fugue (Fuga) – Review
A woman teeters on her heels; unsteady on her feet. She’s walking on a railway line and her clothes are…
Everybody Knows (Todos Lo Saben) – Review
Like most Spanish properties, Laura’s family home in a small village just outside Madrid has huge wooden doors that keep…
The Feeling of Being Watched
Fear and paranoia are two incredibly useful tools in the search for control. If you create enough fear surrounding a…
The Guilty (Den Skyldige)
Real-time, one location movies have often been the setting of choice for low-budget indie flicks or European horror. The emergency…