Milad Alami’s second feature length film opens with a stark white screen – enough to make you think you’ve already gone snow blind in the Swedish-Finnish border town in which it is set. There’s a thu...
There has been a plethora of feature-length debuts celebrated at this year’s Glasgow Film Festival, with writer / director Zarrar Khan joining in festivities. His film, In Flames, breezes effortlessl...
“Are the jokes supposed to be the truth, or are the jokes just jokes?” Cara Mone and Caroline Suh’s documentary, Sorry/Not Sorry opens with a clip of Louis C.K. performing a stand-up routine. In it, ...
There is nothing subtle about Joseph Schuman and Austin Stark’s Coup! The opening voiceover, complete with commentary about total lockdown, an errant president and the poor dying in their thousands w...
Grief and ghosts often make for good company. It is when we are at our lowest ebb that we often look for answers or signs that we would not normally seek out. And, of course, a presence or a voice of...
When you think of footballing cities, you think of Barcelona. Madrid. Manchester. Munich. Hell, maybe even Glasgow. But Hellissandur? Perhaps the small village at the foot of a glacier on an island f...
Legal dramas are a cinema staple. As audiences, we love rousing closing speeches, heated debates, surprise witnesses and a verdict that seems to go right down to the wire. Courtrooms lend themselves ...
The 1990s in China was a period of extreme flux. As state-owned businesses and structures began to disintegrate, unemployment and corruption began to seep in. Many eagerly embraced the rise of consum...
“Scandi noir” feels like it’s been around forever. Viewers and readers alike indulge in tales of bitter winters, detectives who are seen as outsiders or unorthodox, grisly murder scenes and thick, co...
It is timely that writer / director Farah Nabulsi should make her feature-length debut on the festival circuit. Her Oscar-nominated short, The Present, focuses on the seemingly impossible act of buyi...