The Return – Review from Glasgow Film Festival
There aren’t any gods or mythical creatures in Uberto Pasolini’s The Return. Perhaps, if there were, the former would be…
There aren’t any gods or mythical creatures in Uberto Pasolini’s The Return. Perhaps, if there were, the former would be…
German cinema has long been coming to terms with the nation’s past. Films like Downfall, Sophie Scholl: The Last Days,…
Most television viewers in the UK have heard of the Charles Ingram scandal. It is alleged that he and his…
Long Day’s Journey Into Night, Eugene O’Neill’s Pulitzer-prize winning four act play, was first published posthumously in 1956. It has…
Depictions of mental health on screen can so often feel like nothing more than mere tropes; a plot device to…
“No approval need from your doctor or family,” a Plan 75 representative smiles at his elderly customer. In fact, the…
There is an old stereotype about Irish mammies and their sons. Daughters have to jump through hoops for attention, but…